Hello!
I'm Don Herald.
Welcome to a collection of my currently published
short stories and free-form poetry.
This collection begins in 2017 and continues to the present day.
Short Stories By Don Herald
Hello!
I'm Don Herald.
Welcome to a collection of my currently published
short stories and free-form poetry.
This collection begins in 2017 and continues to the present day.
Don Herald is a retired social worker, educator and change consultant. He performed with a local group as an oral storyteller for many years, sharing various versions of his published and 'in-the-moment' impromptu stories.
Currently, he is the delighted caretaker of an almost five-year-old chocolate Labrador retriever. She and he peacefully share a home near Toronto, Canada.
GRANT THE BARBER
He puts the ‘Closed’ sign in the front window just before 3. Stan in the chair, only me waiting. Grant usually closes at 4, so he obviously doesn’t want anyone new to walk in.
Perhaps he has an early dinner date with Alice, his current
girlfriend. Her framed photo sits on the low white porcelain sink table beneath
the mirror. In my experience, nothing ever makes it onto Grant’s white table
unless it’s special. Alice’s a ten out of ten, for sure.
Grant and Stan are discussing the upcoming Alaskan cruise
that Stan and his wife are about to take. Tomorrow, they fly to Vancouver and
then join the ship.
Grant is a practiced listener. Asks lots of questions. Always
encourages lengthy, detailed answers. Grant often shares interesting personal
anecdotes in the conversation.
Over the years, I’ve noticed that most of his stories are
about the mysterious potions, scented waters, and barbering antiquities that
fill the shelves and walls in his shop. Depending on the customer’s interests, Grant
may share a juicy tidbit about his gorgeous girlfriend. It’s hard to ignore her
photo on the shelf at eye level.
I sometimes think that a lot of men come to Grant’s chair,
not so much for his barbering, but for the chance to be an invisible voyeur
into Grant’s love life.
And let me tell you, his girlfriend's stories never
disappoint.
Of course, if there are kids in the shop or a wife waiting uncomfortably
for her husband, Grant’s spicy anecdotes never make it into the conversation.
Stan finishes, pays and leaves. I slide into the still-warm
chair.
“What’ll it be, old man?”
I’ve been coming here for at least fifteen years. So, Grant
knows. But he always asks.
“The usual. Buzz all round, beard short, brows clipped.”
Grant makes a show of examining my head and facial hair from
several angles. He clucks softly to himself.
“OK, old man, let’s do it.”
He always starts with scissors, then after a couple of
minutes, he’ll switch to the clippers.
Every time. It’s just his routine.
I decide to start today’s discussion before he has a chance.
“So, ever been on a cruise?”
Grant hesitates, then, “Nope. Not interested. Give me a boat
on Sturgeon Lake and good fishing. Anytime. Walleyes, northerns, sometimes a
muskie. I’m not fussy. I’m in it for the fun, man. But always catch and
release. I never keep them.”
Then a sudden, unexpected right turn.
“You’re a writer, right? Short stories, if memory serves.
About the human condition, you once told me.”
“Hmm,” I mumble, trying not to move because Grant’s still
vigorously working the scissors on the back of my head.
“I’ve got a personal story you might be interested in. A
confession of sorts. You've got to promise you’ll never repeat it. Never make
it one of your stories. Ever. So, we good?”
This is so unlike Grant. I’m intrigued.
“Yep,” I say. ‘We’re good.”
“You see Alice there?” He pauses, scissors quiet. “She
doesn’t exist. Made up. All of it. Even the spicy stuff.”
I’m shocked.
“Those pictures there.” He points. “The triplets? My
brother’s kids?”
“That collection of barber tools on the wall there? Gifted
to me by local legend Henry D himself upon his retirement? Never happened, my
friend. Got them at a yard sale just before I started this place. But my older
customers fondly remember Henry and his shop on Hunter West. They want to
believe that stuff is the real deal.”
Grant waves the scissors toward the long wall of barbering
tools and nostalgia stuff.
“All of it.”
Grant smiles.
“In return, I tell them made-up shit about my life, my
imaginary girlfriends. My family life growing up on Vancouver Island. As a kid,
sailing in the Queen Charlotte's.”
“But, why, Grant? I don’t get it.”
‘Ah, my friend, now we’re getting to the real story.”
I watch him in the mirror. Standing behind me, hands at his
side.
He’s smiling. Like the cat who ate the canary.
I’m confused. It’s feeling like an out-of-body experience.
“This barbering gig? It don’t pay shit. Hard on the body,
standing all the ‘effing time. Spinning bullshit all day long.”
“You heard Stan, going on and on about their damn cruise.
But I know where he lives. I now know when he’ll be away. The house will be
vacant. So, I go online, check out the place and neighbourhood on my Street
View app.”
“Couple nights later, I pay a visit. Put on gloves, jimmy
the patio door, turn off the security system, and voila, the entire place is mine.
I’ll clean them out over a couple of hours. Will likely be an easy ten grand.
Maybe more. One never knows.”
“I cut the hair of a lot of Stan’s. Over many months, I tell
my bullshit stories, share naughty tales about a made-up sex life with that amazing
woman in the photo.”
Grant points with the scissors.
“I ask innocent questions about their lifestyle, their address
and security system. Shit like that. Patience, man. It takes patience. I go
home and make notes on what I heard at work.”
“How long you been doing this…?” I pause because I have no
words. “This secret gig of yours?”
“Two, maybe three years. No one suspects anything. The cops
haven’t figured it out. They never will. I’m too good at it.”
Grant starts the trimmer, humming silently to himself.
A faint smile on his lips.
“Tell me, my friend,” he says.
“Who’d ever suspect the barber?”
I’m left wondering.
Do I write his incredible story? Maybe get it published?
Do I call the cops?
If I blow the whistle on Grant, I’ll have to find a good
barber.
So, I ask you this.
You have any idea how nearly impossible that would be these
days?
Strolling the Saturday Market, I come across a man who doesn’t belong. He doesn’t have a vendor stall like everyone else.
His eyes
are clear, and the bright blue colour is oddly unsettling. He’s carefully watching the passing shoppers. He does not speak but occasionally nods and smiles. His teeth have seen much better days. They are mostly light brown except for the gold one, front
center.
His
gray-speckled beard is straggly. Food-stained yellow around the lips. Or
perhaps from far too many unfiltered cigarettes. The thin, wispy hair is in
desperate need of a good washing. Several different coloured shirts are layered
beneath a well-worn canvas outdoor coat. The pants appear to be a nylon windproof.
The cuffs are frayed and dirty. His boots, newish with thick rubber soles, seem
too big for his feet. An Army Surplus backpack that looks like it has recently
been to Afghanistan or maybe Ukraine lies beside him. A couple of hours ago, he
was probably at one of the stoplights downtown, asking motorists for loose
change.
But now the
man is here. At the market. And he shouldn’t be.
But no one
seems to mind.
The man has
set up at the end of the first row of stalls closest to the main street. An
upturned yellow Lumber Mart pail for a seat, a small easel beside, with a
lightly soiled canvas that looked like it had been rescued from a waste bin
that had refused to give it up easily.
Spread out
on his knees is a battered tin tray with watercolour paints and two brushes
alongside – one fine, the other a bit thicker. They look expensive, which
doesn’t fit with the rest of him. On the ground, between his legs, is a white paper
coffee cup cut down to one-third size. It’s empty.
A rough-cut
cardboard sign leans precariously against the easel. The printing is done in
careful, wide letters. That surprises me.
I
will paint you.
Free.
Not
everyone accepted.
Ask
me.
I pause in
front of him. I’d intended to continue on by looking for Dailey’s Apples.
But I stop.
He nods.
Smiles.
I return
his gaze.
‘You
interested, sir?’
My mouth
answers before it consults with my brain.
‘Yeah, I
might be. What’s the deal?’
I flutter
my fingers at everything, then point at his sign.
‘Not
everyone accepted?’ I ask.
He smiles.
The blue eyes quickly take me in. Top to bottom. Then return to my gaze.
‘Not
everyone, sir. It’s all about energy. If I feel it coming off you, I’ll do your
painting. If I don’t, well then, I’ll tell you where you can find the apple
guy.’
How in hell
did he know I was looking for Dailey’s? That’s just too weird.
I stare
back at him. He’s waiting for me to ask.
‘Well?’ I pause. “Do I? Have the energy, I mean.’
‘Yep. I’ll
paint you, sir. But first, there’s something you must do.’
He leans
over between his legs, picks up the coffee cup, and gently offers it to me.
‘Put out
your hand, sir. The left, please.’
I have a
sudden feeling that, for him, the cup is the most precious possession he has.
I take the
cup and nod.
‘Thanks. What
do I do with it?’
‘Ah,’ he
says. ‘That’s the tough part.’ He rearranges himself on the upturned bucket and
leans toward me. He whispers.
‘I need you
to put some of your tears in it. Not a lot. But some. Enough to wet
the bottom of the cup.’
He pauses,
carefully gauging my reaction to his request.
What the
hell? My tears? Into a cup?
But in that
weird moment, it feels like a totally reasonable request.
‘You want
them now? Right here in the aisle?’
‘Whatever
works for you, sir.’
That smile
again.
‘If I may
offer a suggestion? It helps to think about one of the saddest times of your
life. Get into it. Let yourself go. When the tears start down your cheeks,
collect them into the cup. Won’t take long before you have enough.’
He pauses.
‘Trust me,
sir.’
People are
rushing by. It’s noisy as Farmer’s Markets always are. The guy wants me to cry.
On the spot. Out in public. No walking away and doing it in private.
‘OK, give
me a couple of minutes.’
‘Take your
time, sir. Such things, I know, they’re never easy.’
All at once, my world collapses inward. There’s only this guy and me. Nothing else matters
right now.
The saddest
time in my life? That’s easy. It’s my wife. She died a couple months ago. ALS.
It was nasty. When she passed, my entire world became empty. I miss her
terribly. I miss our intimacy. Her laugh. I miss the way she played joyously with
our dogs. I miss her touch. I miss her smell. I miss the way she sorted and
folded the laundry. For her, it had to be freshly warm right out of the dryer.
I miss –
The man
interrupts my thoughts.
‘Yes, sir.
She was truly a special woman.’
There’s a
sadness to his voice. ‘To be married for fifty-four years – well, these days,
it’s a very long time.’
My god, how
does he know about her? Know what I was thinking and feeling? Know how long we
were married?
He’s a
stranger to me. And yet, at this moment, he isn’t.
My cheeks
are slick with tears. I place the cup on the left, then the right, back and forth until I have the bottom of the cup and then some—probably much more
than he wants.
Silently, I
hand back his cup. He glances inside. Gives a soft grunt.
‘Thank you,
sir. Now it begins.’
He smiles.
He gets up
from the pail, re-positioning it a couple of feet to the left. He picks up the
easel and turns it slightly away from me. Just enough that I can’t see the full
canvas.
He dips the
thin-tipped brush into the cup and swirls it a bit in my tears. He removes the brush and places the wet tip onto a small pad of black powder in his tray. A line. Then another. Then many. There are many changes of brushes and colours. He dips into my tears, swirls, removes it, and then mixes it into the paint powders. I imagine sharp lines and
colourful swaths are being placed onto the canvas.
I watch him
intently working on the painting. He’s not looking back at me.
I’m
standing a few feet away in the river of people pushing by. Minutes pass. I’ve
no idea of time. The Saturday Market? It no longer exists for me.
He looks
up.
‘I’m done.’
A pause. ‘Come close.’
He beckons me in from the aisle with a paintbrush still in hand.
He stands
and steps aside to make way.
His
painting sucks the air from my lungs in a wet gush.
This man, a
stranger, has painted my wife perfectly. She’s smiling the way she always did –
the slight promise of mischief always about to happen. She’s wearing her
favorite blue sweatshirt, the one with the Orca on it. On the left hand is her
sapphire wedding ring I gave to her in India many years ago.
His skill
with watercolours is remarkable.
It’s as if
I’m staring at her photograph.
‘My work
here is done.’ He starts gathering up his things.
I’m looking
at him, but words cannot come.
‘You’re
wondering how,’ he smiles. ‘Well, sir, I’ll tell you a secret.’
Picking up
the coffee cup, he examines it carefully, slowly turning it this way and that.
Satisfied, he places it gently inside a glass jar wrapped in gray duct tape,
screws down the metal lid, and slips it deep into the center fold of his
backpack.
‘It’s the
tears, sir. It’s all in your tears.’
First Published. September 17, 2024, in the American online magazine - A Thin Slice Of Anxiety.
The Backstory. I had a dream. It was emotionally powerful, and I awoke with a start. As so often happens in such matters, I could only remember a vague plot and character outline and the words which are the title of this piece. But I knew I must write about it right then. I began to write just after 3 am and by 8 am, I had a first draft.
Legal Rights. I own the rights to this story. Please don't 'borrow' it from this blog and publish it somewhere without my permission. Ask me. Tell me what you want to do with it. We will probably be able to work something out.
My family is the third generation to have the Fulbright cabin on the south shore of Dry Lake. Right at the end of Trapper’s Bay.
We’d
spend our summers there - from the day after school’s out to the day before
school’s in. And then occasional days after that until just after the first
serious freeze-up.
Our
Thanksgivings have always been held there. Everyone who’s able gathers to
celebrate stuff. Birthdays, anniversaries, marriages, divorces, school
graduations, the birth of Selma’s annual litter-mongrels all. Our family
lumps everything into one gathering –‘to save the Fulbright’s all the bullshit
of this and that throughout the damn year,’ according to Gumpa Senior - our
family’s curmudgeon extraordinaire. Now only a memory because Senior’s up there
in the clouds or wherever will have him, bitching loudly about what he liked to
call – ‘the whole god damn ball of wax.’
Senior’s
daddy Frank ran a winter trap line around Dry Lake’s south shore back when the
only road in was dirt and gravel, hacked out of the bush for three point five
miles from Rural Route 21, which ran from Moseley in the east to Triumph in the
west.
Frank’d
work as a sales clerk in Eaton’s down in the city, Monday to noon on Fridays. He’d hop into his old beater right from work and make the four-hour trek to the trap line, where he had a tent, an old wooden rowboat, and a drying shed for the furs. Mink, beaver, rabbit, the occasional wolf, and the even more
occasional martin – anything that moved on four legs was fair game for Frank’s
traps. He wasn’t one to care much about ‘them god damn city slicker rules about
what I can hunt.’ Come sundown on Sundays, he’d trek back to the city, arriving
just in time to punch in at 6 a.m.
Family
legend has it that Frank made arrangements with his boss at Eaton’s to shower
and shave in the locker room, washing away the smell of the dead animals and
woodsmoke. In winter, Frank would go part-time at the department store to spend more time tending to his trap line. He’d drive to a pull-off along
Route 21 and snowshoe the rest of the way into Dry Lake.
In winter ‘44, he began harvesting timber, rough cutting it into planks,
and building an all-season shelter. No more living in a tent for him. Once he
had the necessary four walls and a reasonable roof, Frank began adding a bit
here, a larger bit there. In a few years, he had what most would call a cabin.
Frank’s wife Rita – my great-grandma – would take their kids up for the summer, and her husband came up on weekends.
And
thus, a family summer tradition was born. Passed down through two more
generations.
And
this is where my story really begins.
The
summer I was twelve, almost thirteen, there was a mystery to solve at our place
on Dry Lake. Stuff started disappearing. Silver-plated fishing lures. A bright
red spin top. Yellow pencils. Twine by the yard. Fresh cedar shavings from
beside the whittling stump. My sister’s favourite hand mirror. And then, food.
Apples, nuts, half a banana, cookies left out by mistake, orange slices. One
time – ok, maybe it was a couple of times - an entire family-size bag of potato
chips. You get the picture.
We
had our suspicions but had no real proof.
My
sister was more freaked out about the disappearances than me. I was more
interested in Eliza across the bay, a summer-long guest of the Fitzpatrick’s.
Fifteen years old with nothing to do but lie on the dock in her black one-piece,
read trashy romance novels, and write bad poetry in her journal.
I
made a habit of paddling our old Peterborough canoe to the east shore, then
along just in front of the Fitzpatrick’s dock whenever Eliza was sunning there.
By then, I’d have my shirt off so she could see my teenage muscles rippling
with every stroke of the paddle. I’d wave. She’d wave. Sometimes, she’d slowly
stand up, stretch long and easy like a cat, and then wave. Oh, boy, that always made
my long paddle worth it.
We
never said a word to each other the entire summer. But a thirteen-year-old hormonally
powered boy doesn’t need real words as long as he has imagination. Oh, the
conversations we had! Eliza was my first true love. On Fitzpatrick’s dock. In
the sunshine. In that sleek but deliciously rounded black one-piece. Writing me
passionate and sexually explicit love poetry in her small journal with the stiff
red cardboard cover.
But,
to get back to the mystery.
From
the day my fresh waffles started disappearing, I decided to get serious about
solving the mystery.
Mom
would always be up by six. She had her routines at Dry Lake. Make some coffee
and head down to our small dock just as the sun rose above the eastern
shoreline. The dock always quietly creaked up and down under her weight.
She smoked one, sometimes two, cigarettes, blowing the smoke above her head. Sometimes, if the morning air was still, she’d blow rings within rings that would lift, expand, break apart, and disappear. I often wondered what she
thought about in those private times out on the dock.
Her
life wasn’t easy married to my Dad, a tough, no-nonsense ironworker from the
smokey mills in Hamilton. She’d reluctantly married into the Fulbright clan.
Some would always say she ‘married down,’ but a baby waits for no man or woman,
so a quickie civil ceremony was arranged at Hamilton City Hall. I appeared
seven months later. Instant family. And a ‘summer house’ on Dry Lake as a
wedding gift.
Mom
would make a plate of six waffles, smother it in syrup brought up in gallon
jugs from the city, set it out on the long table, and call at me – ‘Your
waffles are up, Ritchie. Rise and shine. The day’s half gone.’
Some days that’d work, and I’d crawl out of bed, wrap myself in a sheet, and dig in. Most days, however, I’d leave the waffles getting cold until later in the
morning. For breakfast, the only thing better than hot waffles is cold waffles.
By
early July, Mom had figured out I had a thing for Eliza over at the Fitzpatricks. I suspect my sister told her, but she denies it, even to this day.
‘I think I see that girl out on the Fitzpatrick’s
dock,’ she’d yell at me. That got me going the first few times, but I knew from
watching Eliza through binoculars that she never made it onto the dock until close
to noon. Like me, Eliza was a late riser. I often wondered what it would be
like to be lying beside her when Mom would call out about the waffles.
After
Mom set my waffles on the table, she’d do her chores elsewhere in the
cottage or outside in the veggie garden she was struggling with between our
back door and the outhouse. My sister loved to garden, and she was always out there with her. My plate of steaming waffles and syrup was left
unprotected. They began disappearing, day after day.
The
Fulbright cottage always remained rough-built. It was another of those family
traditions held sacred by the men of the Fulbright clan. If you have to fix or make
something at the family home on Dry Lake, build it quick, build it rough, build
it to last. It didn’t matter if boards were a tad short, a bit too thick.
‘Don’t worry over it too much, Ritchie,’ my Dad would always say. ‘This is Dry
Lake, my boy. It ain’t Forest Hill. That board’s good enough.’
So,
I’m understating it to tell you that the place had a few spaces in the walls,
floor, and ceiling. Great for letting in mosquitos, stink bugs, and some of the
largest, meanest-looking spiders you’ll ever come across in cottage country.
When you combine those holes with a plate of delicious waffles smothered in the
sweetest maple syrup – well, it spells nothing but an opportunity for a mother
red squirrel and her brood of four little ones.
We
called her Hoppy. She hopped like a rabbit but climbed trees. At Dry Lake,
almost everything is not what it seems. Hoppy was raising her hungry little
family inside a large cavity in the fork of the ancient spruce between our
cottage and the dock. She’d sit on a solid branch that stretched out toward the
window above our sink. From her perch, she could easily look right into our
place. She didn’t miss a thing.
So
it was that Hoppy didn’t miss my waffles. Her nose told her a pile of stuff in
there was worth investigating. It was an easy jump from the end of the bouncing
limb to a hole beneath the shingles, along the attic rafter to one of those ‘good
enough’ holes in the ceiling above the bedroom door, down the wall ending in a
longish but not impossible leap onto the table. One cautious hop, pause, then another
cautious hop, pause, and then - dig in. Hoppy made short work of those waffles.
She’d eat some, save some for her kids, retrace her hops back to the nest,
drop off chunks of the waffle to the squealing little ones, and then return
quickly to the waffles. She’d repeat this each and every day that I didn’t beat
her to those waffles first.
Now
that I knew how she got into our place, I could’ve quickly boarded up
the holes. But the Fulbright home on Dry Lake has more holes than solid board,
so what was the point?
That
summer, Hoppy and I made a deal. ‘Some mornings, it’s yours; other mornings,
it’s mine.’ Early bird gets the worm and all that stuff.
I
knew that Eliza would love the story of Hoppy and the waffles. She’d surely
write a poem about it and read it to me over the dying embers of our campfire
on a deserted beach on Shudder Lake—only in my dreams. I never told her.
A poem was never written. Another opportunity lost.
Oh,
there’s one other thing.
I’m
sure you’ve been wondering about this little ‘Fulbright Fact’ since you started reading my story: How can a lake be called Dry Lake? I mean, almost
by definition, aren’t all lakes in Ontario full of water? Lots of water?
Family
legend has it that when the first Fulbright discovered the lake in 1940, he and
Jack Daniel were very close friends. One day, while under the spell of Jack,
great-grandpa Frank chopped off a big toe when he should’ve chopped a chunk of
wood. He nearly bled to death but packed the injury with tree moss, poured
liberal amounts of Jack on the wound, and swore he’d never touch a drop again.
When he was sober, he called the water all around him Dry Lake.
At
least, that’s what family legend says happened.
First Published. January 16, 2024, in Canada's 'CommuterLit'.
The Backstory. This is one of those story ideas that just pops into one's head for no true rhyme or reason. I remember that I enjoyed writing the early drafts. When I was a kid, I dreamed about the young woman in that tight, revealing black bathing suit appearing on the neighbour's dock on a hot July afternoon in the Kawarthas. Maybe that's where the idea for this cottage story had its origins.
Legal Rights. I own the rights to this story. Please don't 'borrow' it from this blog and publish it somewhere without my permission. Ask me. Tell me what you want to do with it. We will probably be able to work something out.
I could never understand her poetry, so I stopped reading it.
If truth be told, it wasn’t quite as simple as that. This is probably the more accurate depiction: I could never understand her, so I stopped trying.
Back in the heady days of first love, I was attracted to her ‘alternative’ vibe. Stella-Rose was fifteen when we met. She was already hanging out in the booze cans of Yorkville, reading her stifling poetry at open mikes, chain-smoking French Gauloises and falling for a Montreal poet named Leonard Cohen, whom she loved but had never met.
Stella-Rose’s parents always thought their precious daughter – odd though her clothing and hobbies were – was staying over at Mercedes’ house. In their innocence, they never thought it unusual that every Friday and Saturday night during the summer of ‘62, Mercedes held a ‘sleepover.’
Mercedes’ parents never thought to check with Stella-Rose’s parents if their daughter was staying there for the weekend. Both young women played their parents’ innocence beautifully.
September to June, they’d change into their Yorkville costumes in the locker room at school on Friday afternoon, hop the 4:15 Go train to Union Station, then walk or bus the fifteen blocks north to Yorkville. The summer of ‘62, they’d change in the restroom at Union, stow their suburban girl gear in a locker, then head uptown.
They had the entire process dialed in. It never failed them until it did.
In the summer of ‘62, Stella-Rose babysat for the McIntyre’s – our next-door neighbours from Monday to Thursday. Both parents worked, so Stella-Rose had the run of their place provided she kept a serious eye on the two younger McIntyres – Sofia, age six and Henri, age four. She did an excellent job of it, I must say. She’d give them crafts to do out by the pool while she sat under a large yellow umbrella, writing her terrible poetry and strumming tunelessly on an old beat-up Martin she’d found at the United Church rummage sale back in March.
That summer, I was home recovering from mono, so I’d slip over to the McIntyre’s pool and listen to Stella-Rose’s angst-filled prose that she read aloud to ‘better catch the rhythms and passion of my words.’
I could never figure out what the hell she was trying to say in her lines. But it didn’t matter because Stella-Rose loved her words and thoughts more than enough for both of us.
I want to tell you that Stella-Rose and I were going steady back then. I loved her as only a fifteen-year-old, hormonally super-charged boy could. But for Stella-Rose, I was only an asexual audience of one for her poetry, music, and shared fantasies of a sexually steamy life with Cohen or sometimes Dylan.
Of course, her black, two-piece bathing suit that left just enough for my youthful imagination to feed on – well, let’s say that it wasn’t her stupid poetry that made me love her; it was my out-of-control fantasies of that black bathing suit that drew me to her. Like a summer moth to a bright, hot flame.
One Saturday evening, it all ended.
Unknown to Stella-Rose and Mercedes, Stella-Rose’s parents were attending a client dinner party at the Intercontinental on the evening of September 15th. While waiting in the hotel lobby for Mr. Roxton’s clients to arrive, Mrs. Roxton happened to see her daughter stroll by on the arm of a bearded, beaded and bombed-out-of-his-mind beatnik kid of indeterminate age.
‘Oh, my god, that’s our Stella-Rose out there,’ shouted Mrs. Roxton.
‘What in hell is she wearing? Hey, wait a minute. Isn’t that Mercedes with her? Shit, Roger, this can’t be happening to us.’
But it was.
The client’s party was missed. A lucrative business opportunity lost.
For the girls, their Yorkville gig was up.
Of course, there was a scene when a frantic Mr. and Mrs. Roxton rushed out onto the sidewalk in front of the Intercontinental and snatched their daughter from the arms of that dissolute man-child.
I’m told it was epic as such ‘rescue’ scenes go.
Someone called the police. There was a lot of shouting, swearing and impossible threats. Stella-Rose apparently kicked one of the officers trying to restrain her. The girls ended up in back of a cruiser on their way to a meeting with a grumpy Sergeant at 53 Division. A totally pissed beat cop angrily ordered her parents to ‘find your damn car. Get your asses over to the 53. It’s on Eglinton, just west of Yonge. Obviously, we’ve all got some serious sorting out to do.’
Stella-Rose never returned to our school. Her father accepted a transfer to the Winnipeg office, so the family left our neighbourhood within a couple of weeks.
Of course, many stories were flying around school for weeks about what happened that night in Yorkville. Mercedes knew, but she wasn’t talking. Her silence just added to the delicious mystery of it all. And that’s just how she wanted it.
Many years later, I sometimes wonder what happened to Winnipeg’s Stella-Rose.
Is she still writing poetry?
Poetry I could never understand back in the sixties. Probably not even now.
First Published. May 4, 2023, in the Canadian e-zine CommuterLit.
The Backstory. I spent my teenage years in Clarkson, a small bedroom community just west of Toronto. The hippie culture of Yorkville in the city's downtown was in full cultural bloom. It was a magnet for teens and others from all over Canada.
Later, when I was just about all grown up, I worked for a child welfare agency. On my caseload, I had a fourteen-year-old girl who was a parent's worst nightmare. She constantly ran away from her group home, and I'd have to go on a hunt to find her in some of the worst flop pads in our town.
It is this outrageous young woman on whom I model Stella-Rose.
Legal Rights.
Arnold ‘Bird’ Swicker dropped silently from the sky precisely between his father’s new Case corn planter and the open barn door.
It wasn’t supposed
to happen that way.
Bird and I’ve been
friends since pre-school. Back then, it was that magical summer space between
graduating public school and starting Saunders Secondary an hour away in the
rust brown-yellow bus driven a tad recklessly by Bert Goodwin, brother of the
mayor, relative-by-marriage-then-messy-divorce to Grace Longdon, Chairwoman of
the Temple Lake School Board.
Arnie first
believed he should be able to fly – ‘just like that ol’ red-tailed hawk that
flies over Foster’s barn looking for a quick meal of chicken wings’ – when we
found a plump dead pigeon under my parents’ backyard feeder.
We were ten.
‘We should bury
the poor thing,’ I said to Arnie. ‘Give it a decent burial.’
‘Hell, no, Twix,
I’m going to take it apart. Figure out what makes it tick. Look at all those
feathers on its wings. I’m taking them home to look at under my Doc Evan’s
microscope.’ And so he did.
After about a
week, Arnie’s mom, looking for the source of a putrid smell coming from Arnie’s
room, discovered the rotting, wormy pigeon carcass on the window sill behind
the pulled-down blind where Arnie was hiding it from prying eyes. He was
grounded for a week and lost the pigeon. But his autopsy on that dead pigeon
ignited my friend’s passion for flying.
I remember Arnie
asking the school librarian – a Miss Lopo-Suarez – to find him all the books
she could that dealt with flying. As I recall, she found four on the library
shelves and brought one from home – The
Wright Brothers by Fred C. Kelly. ‘My husband’s a pilot,’ she said by way
of an explanation which wasn’t.
From then on,
flying was all my friend ever talked about. It didn’t take long before everyone
started calling him ‘Bird.’
High up in the
hayloft of his barn, Bird began putting together his first set of flight
‘wings.’ ‘No point startin’ with the fuselage, Twix. I need to learn what it
feels like to fly solo with some homemade wings.’
‘But you can’t ever
fly like that ol’ red-tail, Bird. Not ever gonna happen.’
But Bird was set
on it. I helped him secretly construct a set of wings from salvaged wood from
the cut-offs pile out behind the barn and taped together cardboard sheets we
cut from boxes ‘liberated’ from the liquor store and Foodmart in town. On our
bikes, we’d carried a lot of flat cardboard boxes from town out to Bird’s farm.
Bird personally
cut his ‘flight feathers’ from the cardboard sheets, using a design he drew up
in his room at night when his parents thought he was fast asleep. Using some
paste-type glue he found in his Dad’s machine shop, Bird carefully anchored
each stiff cardboard feather to the left and right side wooden frames. Old
leather belts from the bottom drawer of his Dad’s dresser strapped a feathered
wing frame securely to each arm. Up in the loft, Bird practiced flapping his
wings in a rapid motion he roughly patterned off of the wingbeats of the
Ruby-Throated Hummingbirds that were so plentiful in his family’s ‘Victory’ garden.
On the morning of
the second Wednesday in August, Bird announced that he was ready to try out the
wings. His father was out harvesting in the backfield, and his mother was in
town with the United Church women planning their annual Fall fundraiser. There
would be no parents around to get in the way.
‘Just you and me,
Twix. It’s gonna be fun.’
‘I’m going to
launch from the barn peak up there and glide over to the driveshed.’
He pointed out at
the shed, easily a half-football field away. It was a crazy idea, but I’d
learned a long time ago there was no luck trying to talk sense to Bird when it
had anything to do with flying.
I nodded, ‘Good
luck,’ and headed down from the loft to a position halfway between the barn and
the driveshed.
Bird had practiced
climbing from the hayloft onto the edge of the barn’s tin roof and carefully
wiggling his way to the peak about twenty feet higher up. Lying on his back
alongside the ridge, he unhooked the wing frames from his backpack, then
shimmied his way into each wing, cinching the belt straps tightly to his arms.
Once strapped in,
Bird made a slow standing motion until he was slowly swaying upright at the
peak, wings extended out like that Christ statue hanging from the cross above
the main doors at Lady of Mercy RC church across from City Hall.
Flapping his wings
in a modified up-down Hummingbird motion, Bird leaned way out beyond the safety
of the barn roof peak.
He launched
himself into the swirling air currents.
Bird dropped like
a giant, brown-feathered turd to the barnyard at least fifty feet below. His
arms were still beating as he hit the ground in a slow side roll to the left,
Bird’s strong side. It was the beating of his arms that saved him.
The left wing hit
first, shattering the wooden and cardboard frame into chunks and Bird’s arm and
shoulder into three distinct pieces. Followed by three ribs cracking on that
side while his forehead bounced off the grass and rocks in front of the Case
planter. Somehow, Bird’s right wing and arm survived the fall. The whole thing
sounded like when we threw a watermelon from Bird’s mother’s garden out the
hayloft door, which exploded with a deep, watery thwack into the barnyard.
Bird wasn’t
moving. Unconscious. His left arm and wing frame were twisted in odd shapes
over his body. Blood was beginning to trickle from his nose. What appeared to
be one of Bird’s front teeth was lying just in front of his open mouth. He was
a mess.
I ran into the
farmhouse and dialed 9-1-1, yelled the situation into the phone and ran back
out into the barnyard.
Volunteer
firefighters began arriving in their farm trucks, blue emergency lights
strobing on dashboards or fastened to driver-side roofs. They made Bird as
comfortable as possible and waited for the Firehall ambulance from town.
Bird recovered,
but it took the rest of the summer and into the first months of high school.
But he never gave up his wish to fly like the red-tailed hawk that soared every
couple of days over the barnyard.
I’m sharing this
memory of Bird’s first flight with the cardboard wings because I was just
talking to him on the phone.
He called from
Changi Airport in Singapore. His plane leaves for Vancouver in about an hour.
He’s not a
passenger.
He’s the Captain - of
a Boeing 777-300ERs – the largest international long-haul passenger jet in the
Air Canada fleet.
Everyone still calls him Bird. Even his parents.
First Published. April 17th, 2023, in the popular Canadian e-zine CommuterLit.
The Backstory. As a kid, I was fascinated by flight. I wanted to fly high like the birds in my backyard. So I built beautiful wings of stiff cardboard and glued them onto crudely constructed wooden frames.
In front of my friends, I climbed to the top of my parents' garage and jumped.
I fell about ten feet, shattered the wings and my dream.
I never flew again.
Decades later, I decided to write a story about a kid's passion for flight. 'Something Dropped From The Sky' is his story.
Legal Rights. I own the rights to this story. Please don't 'borrow' it from this blog and publish it somewhere without my permission. Ask me. Tell me what you want to do with it. We probably will be able to work something out.
Hello! I'm Don Herald. Welcome to a collection of my currently published short stories and free-form poetry. This collection begins...